Here - tongue, hand, stone, plastic, water, green, fiction, flame, force, mystery, time, dream, body, bell, firefly - everything danced.
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Research, practice, experimentation and creation group in dance dedicated to moving head and heart in different directions.
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+ OPEN HEART
+ WINGED HEART
+ ON-LINE DANCE LABORATORY
+ DOCUMENTARY
+ INTERVIEWS PUBLICATION
+ VIDEO INTERVIEWS
Third part of Treelogia that brings together dance and visual arts to create unique landscapes in cities, pursuing the idea of impermanence and instability of the body in contact with nature, climate issues and collective practices.
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They released the animals in the city and they are everywhere! On the streets, sidewalks, park benches, bus stops, corners, bakeries, pharmacies, theaters, monuments, corners, gaps and edges. They are in the possible and impossible of the city.
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+ WILD LOOSE AT HOME
Research/ laboratory/ experiment/ performance/ dance, aimed at women of all ages, with or without experience in artistic practices.
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+ ON-LINE DANCE LABORATORY
+ DOCUMENTARY
I didn't understand anything. Some lost princesses, some animals asking for help and some strange things running around, like a blue chocolate and a giant banknote.
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It is interested in writing and observing the choreographies that already exist in living spaces and how we are choreographed either by a situation or by the architecture of the place.
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A dancer who wants to be a dancer, who takes 3 classes a day, who takes redbull and muscle relaxers, who dances in a great company, who doesn't eat gluten, who dyes his hair red, who has a show scheduled until 2025 and that's all that always wanted... dancing hurts.
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Trees is an exercise of the desire for permanence, inverting space and questioning time. How long can the body hold?
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Spectacular Experiment in which a previously rehearsed solo triggers the creation of scripts and performances for other subsequent solos. The writing of the scripts and the 'show' happen simultaneously, and in real time. Each stage of the process is revealed to the audience present.
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Circuito Cultural uses running and dancing to cause noise inside and outside cultural facilities.
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+ PAULSTA CULTURAL CORRIDOR
They Dance Bad uses the concept and aesthetics of karaoke to create a contemporary dance “show”.
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Works commissioned by artists or dance schools.
Minotaura is part of the Pagã exhibition, a kind of theatrical piece dismembered in the exhibition space, by Regina Parra and curated by Ana Maria Maia.
A ballet that doesn't exist yet, a legend we've been told, a distant memory, an unforgettable dream. No one knows for sure where it is. Strange animals live there. In this garden we are many and many and we can be and do whatever we want!
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Iracema died, my grandmother died, my mother died, Marielle died. We all are. We became. Life after life. The jandaia still sings. It was invasion. That's why we are. We are many Iracemas.
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Iracema is a woman, she is my single neighbor, she is my aunt who cooks, she is my mother without money, she is my sister who does not let go of her cell phone. Iracema is a place, a beach, a statue, a cultural center, a carnival block, a travel agency, a pizzeria. Iracema is an Indian, a legend, a mermaid, a ghost, a stuffed cookie, a cardboard box, an electronic game…
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Collaborations as choreographer, dramaturgist, assistant director or movement.
Choreography and movement direction for the opera Blue Monday, directed by Fernanda Vianna, with Coro Paulistano and Balé da Cidade de São Paulo.
Assistant director and rehearser of the Brazilian version of My (Petit) Pogo with direction and choreography by Fabrice Ramalingom/ Compagnie R.A.M.a.
Dramaturgy for a children's dance piece Saori e Anahí, by Maria Epinefrina and Well Fonseca.
Co-creator of LOTE, artistic residency in dance directed by Cristian Duarte from 2011 to 2018 and coordinator of the Osso edition.
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